Just before the midterms: Has the reno-monster dog-fiend neighbour gone unemployed again to finish the house?

" The most dangerous person to play games with is someone who is emotionally intelligent, has zero desire to be seen or validated, and isn't afraid of being disliked.

You'll lose every time.

The worst mistake is to play with the feelings of someone who is done playing games. You'll be left playing alone.

"The fastest way to embarrass yourself is to think an emotionally mature person will chase you around and put up with your hide-and-seek games.

You'll refuse to communicate, and they'll accept your decision. You'll wait for them to come begging, only to find yourself begging instead.

You'll shut down instead of communicating, block them, disappear on them, and ignore them because you saw people playing those games on social media.

By the time you come back, they will have moved on.

You'll try to gaslight them: 'So you never loved me? How can you move on so fast? You didn't even fight for us?'

And they will calmly respond that they loved you but they also loved themselves. That you lost it when you thought their love for you was a licence for you to drag them into emotional turmoil.

You will claim to have learned, and they will tell you to go apply the lessons in your next relationship.

This is what we're saying: if you want the love of mature and loyal people, grow up. Say what you mean and communicate when you're upset.

They can deal with your anger, and they can discuss misunderstandings. But they can't deal with a dismissive attitude and making them beg just to get a conversation.

The quicker way to lose good people is to assume they'll always be there no matter how you treat them.

They won't." @Benjamin zulu global

A long walk on the 20th: I require movement.

 Famous Great Composers Who Died Childless

• Ludwig van Beethoven: Had no children (though he fought a bitter legal battle for custody of his nephew, Karl).
• Johannes Brahms: Never married and had no children.
• Pyotr Ilyich Tchaikovsky: Died childless.
• Maurice Ravel: Never married and died without children.
• Antonio Vivaldi: Priests in holy orders, had no children.
• George Frideric Handel: Never married and had no children.
• Franz Schubert: Never married and had no children.
• Frédéric Chopin: Had no children (though he had a long-term relationship with

The 50 greatest operas of all time are organized below by historical era and timeline:

The Baroque Era (Early 1600s – Mid 1700s)

1. L'Orfeo (1607) – Claudio Monteverdi
2. Dido and Aeneas (1689) – Henry Purcell
3. Giulio Cesare (1724) – George Frideric Handel
4. Serse (1738) – George Frideric Handel

The Classical Era & Operatic Reform (Mid – Late 1700s)

5. Orfeo ed Euridice (1762) – Christoph Willibald Gluck
6. Idomeneo (1781) – Wolfgang Amadeus Mozart
7. The Marriage of Figaro (Le nozze di Figaro) (1786) – Wolfgang Amadeus Mozart
8. Don Giovanni (1787) – Wolfgang Amadeus Mozart
9. Così fan tutte (1790) – Wolfgang Amadeus Mozart
10. The Magic Flute (Die Zauberflöte) (1791) – Wolfgang Amadeus Mozart

The Romantic & Bel Canto Eras (Early – Late 1800s)

11. Fidelio (1805) – Ludwig van Beethoven
12. The Barber of Seville (Il barbiere di Siviglia) (1816) – Gioachino Rossini
13. Der Freischütz (1821) – Carl Maria von Weber
14. Norma (1831) – Vincenzo Bellini
15. L'elisir d'amore (1832) – Gaetano Donizetti
16. Lucia di Lammermoor (1835) – Gaetano Donizetti
17. The Bartered Bride (1866) – Bedřich Smetana
18. Les Troyens (1863) – Hector Berlioz
19. Boris Godunov (1874) – Modest Mussorgsky
20. Carmen (1875) – Georges Bizet
21. Eugene Onegin (1879) – Pyotr Ilyich Tchaikovsky
22. The Queen of Spades (1890) – Pyotr Ilyich Tchaikovsky

The Italian Masters: Verdi & Puccini

23. Rigoletto (1851) – Giuseppe Verdi
24. Il trovatore (1853) – Giuseppe Verdi
25. La traviata (1853) – Giuseppe Verdi
26. Don Carlos (1867) – Giuseppe Verdi
27. Aida (1871) – Giuseppe Verdi
28. Otello (1887) – Giuseppe Verdi
29. Falstaff (1893) – Giuseppe Verdi
30. La bohème (1896) – Giacomo Puccini
31. Tosca (1900) – Giacomo Puccini
32. Madama Butterfly (1904) – Giacomo Puccini
33. Turandot (1926) – Giacomo Puccini

The High German Romantics (Wagner & Strauss)

34. Lohengrin (1850) – Richard Wagner
35. Tristan und Isolde (1865) – Richard Wagner
36. Die Meistersinger von Nürnberg (1868) – Richard Wagner
37. The Ring Cycle (Der Ring des Nibelungen) (1876) – Richard Wagner
38. Parsifal (1882) – Richard Wagner
39. Salome (1905) – Richard Strauss
40. Elektra (1909) – Richard Strauss
41. Der Rosenkavalier (1911) – Richard Strauss

20th Century & Modern Masterpieces

42. Pagliacci (1892) – Ruggero Leoncavallo
43. Pelléas et Mélisande (1902) – Claude Debussy
44. Jenůfa (1904) – Leoš Janáček
45. Bluebeard's Castle (1918) – Béla Bartók
46. Wozzeck (1925) – Alban Berg
47. Porgy and Bess (1935) – George Gershwin
48. Lady Macbeth of Mtsensk (1934) – Dmitri Shostakovich
49. Peter Grimes (1945) – Benjamin Britten
50. The Rake's Progress (1951) – Igor Stravinsky

Black qassam

https://x.com/d2thedre/status/2109892305683439680 

Mohammed Abu Saada

He's coming back Thursday now, and im not ready. #Anok Yai

 

Law Roach and weekend storms. Venus in scorpio retrograde relationship reviewing.

 

" If you give everything, how can people grow?.. I mean how can they get things for themselves"  Naila Opiangah

All scenes to be inserted, have been inserted.

 grok interpret this dream: Being chased through a variety of building, gardens, places, natural settings by a mad assasin/assailant. At one point almost get away, with my friend, who stops to order a pizza, we cant wait for the order, as the assailant, is following us again, we dive through a window, to run, and almost get away, until I decide I have had enough, I get angry, turn and charge towards to the assailant, who when I get close enough, I find has tranformed beyond whatever is afflicting him, and is now just a normal guy who has been chasing us, because he wants to join our group.

Being chased by a “mad assassin” who turns out to just want to join your group is a classic anxiety-to-integration dream. The overall arc moves from prolonged flight → near-escape interrupted by everyday distraction → decisive confrontation → the threat dissolving into something ordinary and affiliative. That structure itself is the main message.Core chase sequenceBeing pursued through mixed settings (buildings, gardens, natural places) usually reflects a sense of threat that follows you across different areas of life—work, home, social, or internal. The pursuer starts as a “mad assassin/assailant,” which commonly symbolizes an externalized fear, pressure, or inner critic that feels irrational, relentless, and potentially destructive. The variety of locations suggests the anxiety is not confined to one domain; it generalizes.The friend who stops to order pizza is a vivid detail. While you are in survival mode, someone close prioritizes a mundane comfort or delay. This can point to:

• Frustration with people (or parts of yourself) who do not share the same urgency.
• The way ordinary needs or social rituals can feel like liabilities when stress is high.
• A mild irritation that even allies can slow escape.

Diving through the window is a classic “break the barrier / unconventional exit” image—desperation mixed with resourcefulness.The turning pointThe decisive moment—“I’ve had enough,” anger, charging the pursuer—is the emotional center of the dream. Flight gives way to fight. In dream psychology this often marks a shift from avoidance to agency: the dream ego stops being purely reactive and claims power. Anger here functions as mobilizing energy rather than pure rage.When you get close enough, the figure is no longer “afflicted” or monstrous; he is simply a normal guy who has been chasing you because he wants to join the group. This is the integrative twist. What looked like a lethal threat was a misread bid for connection or inclusion. The “madness” or hostility was largely projected or exaggerated by the chase itself.Possible meanings in waking life

• Something (or someone) you have been treating as a threat, stressor, or antagonist may actually be seeking affiliation, understanding, or a place in your circle. The fear may be disproportionate to the actual intention.
• An internal conflict or rejected part of yourself (the “shadow” in Jungian language) that has been hounding you wants integration rather than destruction. Once faced, it becomes ordinary and usable.
• You may be ready to stop running from a pressure (deadline, conversation, decision, emotion) that feels relentless. Confronting it could reframe it from enemy to something that can be brought inside the group (accepted, negotiated with, or even collaborated with).
• Mild irritation with friends or companions who “stop for pizza” while you feel urgency—suggesting a need for clearer shared priorities or for accepting that not everyone operates at the same intensity.

Dreams of this type frequently appear when avoidance has run its course and the psyche is testing a new strategy: approach rather than flee. The fact that the ending is almost anticlimactic and socially reconciling (he just wants to join) leans optimistic—the threat collapses into ordinary human motivation once you stop treating it as an assassin.Personal context matters more than any generic reading. Recent situations involving pursuit/avoidance dynamics, group belonging, misjudged intentions, or a growing sense of “I’ve had enough of running” will usually lock the symbols into place. The pizza-ordering friend and the final “normal guy” are especially useful anchors for reflection.

Scene addition/insertions week: slow boil

 If you are not sufficiently aggressive, you will be treated like shit. Different contexts and domains dress up that aggression differently. It can be raw displays of physical violence, wittiness and humour, formal intellectual domination - any number of things - but the theme is always clear regardless of culture, class and context. Are you strong? How does it look when you bear your teeth? Can you inspire fear in the hearts of others? Can you make the tough decisions under pressure when the situation calls for it? What is the essence of the stuff you are made from? Will you crumble, or push through? What strength do you possess that means when I look at you I should respect you? Show me your force of being, your intensity, your soul - wear your darkness - show me your power.